Browse Items (371 total)

  • Collection: Paintings and engravingsdepicting a procuress

The Blessed, by Gutiérrez Solana (1918, c.)
In the image there is a figure seated in a chair with a fan with her back to the viewer. By the silhouette it is understood that she is an old woman with her head covered following the Celestinesque tradition, and that therefore the drawing…

Portrait of a Matchmaker, by Baluschek (1923)
Original title: Portrait einer Kupplerin ("Portrait of a Matchmaker").

Contemporary matchmaker smiling in the foreground and brother scene in the background with prostitutes and a client

The Victim - The Matchmaker (Das Opfer - Die Kupplerin), by Barlach (1919-24).
A series of drawings of a matchmaker showing her protegée. They seem to be drafts for a statue (see).

Other title: Das Opfer - Die Kupplerin

El piropo de Aedo (1928)
A young woman covers her torso with a fan while smiling and looking to the left. On the left, an old woman smiling looking in the same direction as the young woman.

Painting of the Classic Period.

Today Fresh Sausage, by Grosz (1928)
Mixed media, watercolor and ink, on paper.
A young carrying a package and an old woman . Although there is no indication of being a procuress and her protegee, Grosz painted many scenes of prostitution in Weimer Germany.

Claudia's Girls, by Gutiérrez Solana (1929)
Prostitutes in a brothel with matchmaker to the left. Reference to an absent bullfighter or picador.

Composición con la chiquita piconera de, Romero de Torres (1929)
A seated young woman looking up at the viewer. In the background on the left, an old woman holds a cloth.

Ladies and students, by Bilbao Martínez (1929)
In the image three young women dressed in regional costumes appear in a park in the city of Seville (Spain). On the left are three young men looking at them. Behind the young women appears an old woman with her head covered reminiscent of Celestina…

The narrator and Albert Bloch in the brothel, by van Dongen (1930 c.)
An illustration made for a book by Marcel Proust À la recherche du temps perdu, published in 1945 by Librairie Gallimard, Paris. Appears to be out of print but is listed on theMetropolitan Museum of Art, New York, United…

Ilustración de Santaolaria
Imagen costumbritas de majas o manolas madrileñas en ambiente de verbena. La vieja y las majas puede estar influenciado por Goya aunque el tratamiento es muy diferente

Young woman and procuress in the bathroom, by Canals (1933, c.)
In the painting a naked young woman appears next to a bathtub and an old woman next to her who seems to be assisting her in her bath. The image is reminiscent of brothel scenes, in this case the young woman would represent the prostitute and the old…

Sheer Merchandise!, by Sancho Piqué (1939)
Ink drawing on paper, 24,5 x 32 cmRich man talks to a procuress while a naked young woman covers her face

Doña Paca y su prenda, de Soria Aedo (1943)
A young woman in the center of the work with a fan. On the right an old woman. On the left two young men, one of them looking at the young woman.

Representation of Celestina, by Leal Ortiz (1950, c.)
In the image several figures appear in an arched courtyard walking in a row to the left. To the far left is a boy with a dog. Behind him appears a young woman and an old woman next to her. The old woman has her head covered and a rosary in her hand.…

La nieta, de Soria Aedo (fecha desconocida)
Obra que puede interpretarse como parte de la tradición celestinesca a pesar del título

Litografía inspirada en La Celestina, de Vlady (1953)
Illustration by Valdy, interpreted by Amparo Villegas for a Mexican edition of La Celestina by Alvaro Custodio. Young nude woman with a old woman of demonic appearance.

In Celestinesca, Vol. 11, No. 2, p. 40

Procuress and girl, by Wellenstein (1955)
Original title: Kupplerin und Mädchen ("Procuress and girl").

The image shows a young woman next to an old one with her head covered. From the title of the work, it is understood that the old woman acts as the young woman's procuress.

Caricature of Celestina in tribute to the actress Irene López Heredia, by anonymous (1957, c.)
Caricature in tribute to the actress Irene López Heredia, that appears in the theater critic of "La Celestina" represented in the Eslava Theater, Madrid, in ABC, Madrid, titled "Tribute to Irene López Heredia on the occasion of the hundred…

Mujer joven, mujer vieja, de Danto (1960)
Woodblock representation inspired by Goya's work: Maja y Celestina from 1824-25, featuring a procuress and her protégé.

House of Mariduque, by Botero (1970)
The painting portrays a room where six women appear: three of them are sitting in two chairs, the remaining three are standing. One of them is drinking and another one is sweeping. A man lying behind a chair appears in the background of the painting.

House of the Twins Arias. by Botero (1973)
The painting shows a room with five young women, two men, an older woman and a child. They all appear around a bed, except for the child, which lies underneath the bed.

The Procuress, by Vallazza (1973)
Original title:Wolkenstein-Mappe, Die Kupplerin("Wolkenstein portfolio, The Procuress").In the image, three figures appear talking seated. Two of them have human bodies and animal heads. They both face the third figure who is an old woman with her…

Caricature of the representation directed by Tamayo, by anonymous (1978, c.)
Caricature that appears in the theater critic of "La Celestina" adapted by Camilo José Cela and directed by José Tamayo in ABC, Madrid titled "A grand literary version of "La Celestina"" ("Una gran versión literaria de "La Celestina""), by…

The Procuress, by Saudek (1983)
An older woman is sitting in the centre of the picture. A younger woman is sitting on the older woman's lap. A doll appears lying on the older woman's left knee.

Other title: Die Kupplerin

The procuress, by Lago (1984)
In the image appear a couple of women with her torsos naked. A man appears in front of them and looking at them. A couple of men appear to the right also looking at the women.

Caricature of the representation directed by Marsillach, by anonymous (1988, c.)
Caricature that appears in thetheater critic of "La Celestina" adapted by Gonzalo Torrente Ballester and directed by Adolfo Marsillach inABC, Madrid titled "Another version of "La Celestina" at the National Dramatic Center" ("Otra versión de "La…

Alcahueta, de Gustavo Muñoz (1989)
Descripción del autor:
La obra es un díptico (60 x 80 cms cada cuadro) pintado al óleo sobre cartón, del año 1989. Es parte de una serie titulada “Atentados”, que recogía versiones muy cambiadas de cuadros famosos de la Historia del Arte. Éste en…

At the procuress (after Jan Vermeer), by Hein (1992)
Original title: Bei der Kupplerin (nach Jan Vermeer) ("At the procuress (after Jan Vermeer)").

In the image appears a young couple surrounded by other figures. Next to the young woman appears an old woman with her head covered. By the title of the…

La casa de Celestina, de Rego, (2000)
"Paula Rego paints a world of dark fairy tale where childhood stories are thin guises for psycho-sexual intrigue and taboo, where magical realism rules, where nothing is certain except the witchy powers of feminism, and the underlying notion that…

Procuress, by Mulholland (2001)
In the image appears a young man looking at the viewer and a woman looking at him. From the title of the work it can be inferred that the woman represents a procuress.

Procuresses, Pimps and Thugs (Dutch Interior) [Alcahuetas, buscones y buscavidas (interior holandés)], by Muriel (2008)
Description by the author for the online exhibition held in 2012 in the Spanish gallery Plastiké Art Gallery, where the drawing was exhibited: "The painting represents a brothel where a variety of characters meet, drawn by business or…

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Accompanying Celestina, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Celestina, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Celestina, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Celestina and Lucrecia, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Celestina and Pármeno, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Celestina and Calisto at Church, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Celestina and Melibea, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Areúsa, Pármeno and Celestina, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Celestina manipulates the characters, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Melibea offers the Celestina a string, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Gifting of a Gold Chain, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Lucrecia, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Hada madrina, de Zouravliov (2010 c.)
This drawing represents the Russian folk legend of Vasilissa, a young woman, and a witch. The original story does not contain any Celestinesque references. However, Vania Zouravliov's work introduces elements of the visual tradition of La Celestina.…

Celestina, by Acedo (2011, c.)
Portrait of the procuress Celestina

Cover in watercolor of La Celestina, by Acedo (2011, c.)
Cover in watercolor of the Libro de Calixto y Melibea y la puta vieja Celestina("Book of Calixto and Melibea and the old whore Celestina")

The Matchmaker (La alcahueta), by Molenaer (1640 c.).
Man with prostitute on his arm and behind is the matchmaker.

Danaë, by Van Loo (1655).
Servant, characterized in a matchmaker way, wakes Danae while shower of gold enters as a ray of light from the left.

The Expulsion of the Prodigal Son, by Anthonisz  (1535, c.)
The images represent the biblical parable of the prodigal son. In both images appears a figure that represents a procuress. In the first image, the old woman with her head covered that appears on the right, can be interpreted as the prostitutes'…

Satyrical painting from the XIX century, anonymous. (Cuadro satírico del XIX).
A matchmaker and her pupil, who shows a leg, are surprised by a priest and a women that exit a house and are scandalized. Possible ironic reference to the priest that carries a little boy.

Woman with buskin-type shoes and covered head, pointing her finger towards the outside of the panel.

The Love Letter or the Fortune-Teller (El billete amoroso o la adivina), engraving based on Frans van Mieris (1635-1681).
Older woman argues using her fingers to count. The word "amor" is visible in the background. Musical instrument and dog.

Young Couple and Matchmaker (Pareja de jovenes y alcahueta), engraving (1739-1780) based on Francesco Maggioto's painting (1738-1805).
A young woman acting as if she is soliciting money from a young man, and a covered matchmaker behind her giving her advice.

Untitled, engraving by Pazzi of the drawing by Lorenzi.
Young man and matchmaker argue, using their fingers to count.
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